Mount Shuksan

Now I Say Goodnight to Winter

Apr 26

An ironic title, given the title I used for last week’s posting. In fact, as I write this, the snow level will dip below 1,000 feet again. All this just days from the month of May! Nonetheless, winter for me isn’t over until the Mount Baker Ski Area season comes to an end and that finally happened this past weekend. A gorgeous day of sunshine was forecasted so sticking around after an afternoon on the slopes for sunset was in order. For once, the weather forecasts were actually correct and the day progressed with clear skies.

By 5pm, things around the ski area had quieted down and the last wave of snowshoers were returning from their day trips up to Artist Point. As they returned, I was geared up and on my way up to Artist Point. I attempted a sunset from up here last winter and had some keepers with great pink alpenglow colors on Mount Shuksan. One thing about that visit was that I felt rushed looking for compositions due to a short lead time into that sunset. This time, I made it up onto the ridge before the “golden hour” before sunset and that allowed me to traverse along Kulshan Ridge and check everything out.

I hike all the way out towards the high point of Huntoon Point. Before the last ascent, I noticed a snag sticking out of the snow. I immediately recognized it as a snag I had photographed last fall. I put together this side by side shot to give you an idea of how much snow really accumulates in this area:

The snag (the right-most one in the right-hand photo) was probably 12+ feet tall and is situated on a rise that is 8-10′ above the trail. Seeing only the top 3 feet of the snag leaves a whole lot of snow underneath my feet!

I hoped I could find a spot which would leave me with compositions of both Mount Shuksan and Mount Baker but found this a challenge. In winter, the ridge top takes on a convex shape due to wind transport of snow. The only trees that aren’t buried are located down off the crest on either side. This means that you have to physically relocate from one side to the other in order to shoot either mountain. Now throw in a slew of snowshoe tracks and ski traverses throughout your foreground and you have your work cut out for you!

My decision was to hunker down and face Mount Shuksan and the Swift Creek headwaters. Besides, I enjoyed the vast scene dropping away in front of me. As the minutes of the golden hour ticked away, the light began to change from white to golden light. I hoped and patiently waited for the peak colors to appear but they never graced the slopes of Mount Shuksan. A bit frustrating because I could see better light to the south towards Whitehorse Mountain and to the northwest towards American Border Peak!

As luck would have it, I stood up and looked back towards Table Mountain & Mount Baker and the sky had some nice orange color but was starting to fade. Before committing to my vantage point of Mount Shuksan, I had scouted a composition for Mount Baker. I further prepped the spot by stamping out a firm pad in the snow. Now that time was of the essence, I was able to quickly set up and not have my tripod legs sink down into the snow pack.

I snapped off a few shots and was quite surprised to see that my camera was able to contain the entire dynamic range within one exposure. My visit last winter was with my Pentax K10d whose sensor technology was three-ish years old. My current Pentax K-5 has some of the best dynamic range you can currently buy in the APS-C format and I’ve become a firm believer in this. I remembered another scene just on the other side of Huntoon Point so I humped all my gear as quickly as I could over to a half buried small snag.

After a few more quick snaps, any magic light that was left faded away. Donning my snowshoes once again, I quickly made my way back towards the buried Artist Point parking lot and the descent back down to Heather Meadows. So ended the day, and so ended another ski season and winter. Despite the obvious abundance of snow, it was personally a weird winter. Perhaps I’ve been spoiled by previous winters but the lack of a lower elevation snowpack was a real disappointment.

Along with a number of other locations, Nooksack Falls received intermittent snow which prevented me from getting the truly winter scene I’ve been hoping for. The Ohanepecosh River valley was virtually bone dry all the way up close to 2,000 feet. Closing the door on winter does open the door for summertime, wildflower meadows, and the beautiful high country. Granted, it will be a while before it will be accessible but the trip planning and research can begin now!

Winter won’t leave

Apr 22

Ever since the calender made it official and told us that it’s springtime, the weather has actually reverted back into winter. It’s the 21st of April and snow levels are STILL dipping down below 1000 feet and we haven’t had a single high temperature of 60 degrees. Thankfully I love winter! Coming into the weekend, I had some interest in shooting some scenes of skunk cabbage, one of the sure signs of spring.

As it turned out, the spots in the upper North Fork Nooksack River valley I was thinking of were still solid snow and not accessible. It’s sure been a jeckyl and hyde winter! Up at the Mount Baker Ski Area, crowds have dwindled down to mostly the diehards despite a substantial snowpack. For yet another weekend, the weather proved to be dramatic and offered periods of cloud, sun, and even light snow.

Maybe I never really paid attention before but this has been one heck of a winter for scenes of clouds lapping over and around the impressive summit of Mount Shuksan. The sun’s path through the sky also changes which now lights up the snowy slopes of the Shuksan Arm enough to add dramatic shadows. The spring sunshine really brings out all of the subtleties of these slopes. As you can see from some of these shots, they are reminiscent of the jagged mountains of Alaska, Karakoram, or Himalayas.

I kept seeking and taking shots while the light allowed for it. Of course, these photos were color but the interplay of clouds and mountain just beg for a black & white treatment. I recently received my copy of Nik’s Silver Efex 2 so I went for it. After finishing up at the ski area, I revisited Razor Hone Creek. Incredibly enough, the creek still lies buried underneath the multiple feet of snow that covered it last month. This spot usually has a nice 10 foot waterfall but not on this day:

Back down in the valley, I stopped along the river at a location I never realized existed (partly because it’s typically buried under more snow). It’s nothing more than an unofficial “party” spot along the river and is a pullout inside a grove of large old growth cedar trees. The river here is fairly calm with a few gravel bars. Lucky for me, the upstream valley slopes were still flocked with fresh snow:

I wanted to go scout some of the Middle Fork Nooksack but that ended up having to wait until another time…

Bigma Fun

Mar 26

I recently ended a long quest to pick up my “wildlife”zoom lens. As a brand, Pentax has not kept up with developing long length zooms (or primes for that matter) for use in wildlife photography. The Pentax branded lenses out there hail from the end of the days of film and the FA series of lenses. For modern times, options are really limited to a few offerings made by third party lens developer Sigma.

Sigma has been producing their 500mm (750mm equivalent with the Pentax 1.5x crop) beasts for a while and their offerings boil down to the 150-500 or the 50-500, which is affectionately known as the “Bigma.” Based on my research, the 50-500 was held in high regard for both it’s image quality and value. The current version of this lens retails for about $1600 in a Pentax mount and uses a HSM motor for focusing. Pentax’s own lenses with HSM motors have been suspect so I wanted to avoid this and target a used copy of the previous version of this lens (the 50-500mm F4-6.3 APO DG).

I thought I had scored a deal on one using eBay but the seller had mistakenly listed their Nikon mount lens as a Pentax mount.There’s nothing worse than opening a box and realizing the lens you see won’t fit your camera! Anyways, fast forward a few weeks and I found an individual selling their one year old Bigma for $825 on a Pentax forum. For an additional $50, the seller threw in a UV and Polarizer filter so I jumped on it.

I’m not really a wildlife photographer but occasionally find myself in those kind of situations. What’s more, there have been a few times when I knew that the extra length beyond my normal 300mm tele would have yielded a much stronger composition and image. I’ve wanted to take this lens out for a spin but haven’t had the time until a few days ago. I tried stopping by the Mosquito Lake Rd bridge over the North Fork Nooksack River but there wasn’t a single Bald Eagle to be found. If I was going to use this lens, it would have to be landscapes.

Before that, however, I stopped briefly at Nooksack Falls. I hoped to get a “wintertime” counterpart to my ladder-aided shot of Nooksack Falls from last summer. To my disappointment, much of the snow that fell a couple weeks ago has melted away..

After that, I continued up the Mount Baker Highway to hit the slopes at the Mount Baker Ski Area. The skies were partly sunny with clouds drifting in and around the neighboring peaks. Perfect for dramatic photos! I decided to only use the Bigma so all of these photos were taken with the 50-500 and a UV filter:

I’m really happy that I picked it up. It is a HEAVY lens and weighs in at over 4 pounds. I won’t be taking this out on a hike very much! Another caveat is its construction so you should be mindful of its use during extreme conditions. Living in the wet confines of the Pacific Northwest, I’m very accustomed to being out in rain and snow. My camera body has weather seals but my lenses do not. I have not found this to be an issue overall but the Bigma is put together slightly different.

Six screws retain the front most element of the lens to the rest of the extending body of the lens. Given our proclivity to rain, I’m real concerned about moisture penetrating this seal. Thankfully, I have found an inexpensive solution but I’ll blog about that after I have had some time with it in actual rainy conditions. My Manfrotto ballhead can support the weight of the lens and camera but it is sensitive to vibrations. Using the camera’s timer or better yet a remote control helps mitigate for this.

The extra 200mm at the extreme end of the range does make a difference. There’s been one composition out along the Shuksan Arm that I’ve wanted to shoot but have been unable to since it won’t fill the frame at 300mm. It now does and hopefully I’ll be able to shoot it before the end of ski season next month. Focusing is fairly fast and snappy but it has hunted for focus in low light and low contrast conditions. I’ve been able to work around this by either selecting a higher contrast focus point or by pointing the lens at a higher contrast portion of the scene and then recomposing for my original scene.

The Canon / Nikon versions of this lens have a few switches near the mount which control zoom creep and manual / auto focus. The Pentax version only has the zoom lock switch and I gave myself a heart attack as I unintentionally discovered that manual / auto focus is controlled by a push/pull of the focusing ring. I thought I had broken the lens!

My last comment is about the lens hood, which requires some consideration. The horizontal petals almost half the depth of the vertical petals, presumably to avoid appearing in the frame at 50mm. My very first attempt using this lens was at a local estuary wetland during a windy rain. Although I was perpendicular to the wind, it was blowing water droplets in and onto the front of the lens. This is something I have not encountered with my Pentax DA55-300 which uses a lens hood with a uniform, deep length. This isn’t calamity by any stretch but I think folks should be aware of such things. Sometimes the photos we take can’t be duplicated so I would hate to loose a photo because I didn’t check for water droplets!

[UPDATE] I haven’t had many opportunities to use this lens until recently when I visited Boundary Bay in British Columbia to photograph the Snowy Owls. You can see those photos in my blog post here.

In the Clouds..

Jan 25

While Razor Hone Creek thwarted me yet again (there’s a double waterfall drop I’ve been eyeing but it’s dangerous to access), I was fortunate enough to enjoy some of the beautiful weather around the Mount Baker Ski Area and photograph some of the wild cloud formations that where trailing all around Mount Shuksan. It was a glorious bluebird type of day with unusually light crowds within the ski area. Over the course of just a couple hours, the constantly changing clouds kept creating dramatic views of Mount Shuksan.

I took about 20 or so shots of the scene but after reviewing the shots I realized that the photos would be better suited for conversion to black & white. The photos are fairly monochromatic to begin with with shades of blue dominating. The sunshine was also casting some dramatic shadows across the steep slopes of Mount Shuksan. A black & white conversion would help accentuate these features and increase the overall “power” of the scene.

During my early days of processing my photos, I used Photoshop Elements to perform my black & white conversions. The Elements version I’m familiar with (Version 6) provided a few quick settings for certain styles/looks and then a couple sliders to tweak them as desired. All along I knew that Photoshop CS was supposed to be a more powerful tool for black & white conversion. Once I finally stepped up to the full version of CS5, I found the black & white conversion process a bit daunting. Gone were the presets that I could start with and, in their place, were a number of sliders which at times seemed to do nothing!

There had to be some better way to do this and so I decided to download the trial version of Nik Software’s Silver Efex Pro. This program is really an add-on to Photoshop CS (or Elements) and it’s sole purpose is to convert photos to black & white while providing the most flexibility in an easy to use manner. It’s not cheap (currently $180 but there are a few discount codes you can get from the web) but it gets high praise for the job it does.

Once you fire up the filter, the Nik Software dialog loads your photo (AND respects the Smart Layer functionality of CS!) along with a few dozen presets that you can chose to start your conversion with. Now, truth be told, a number of the filters don’t seem terribly useful (there are several sepia type filters based on different color tints for example). After playing with the options, I kept gravitating towards the “High Structure” style preset.

I found that the High Structure preset did a great job and I didn’t feel the need to make any drastic changes. There were some additional options such as simulating a variety of black & white film grains (I tended to like the Kodak 100 TMAX Pro) but I ultimately decided NOT to use one of these filters because it added TOO much grain for these particular images. Turns out that the only adjustment I felt I needed to make was to reign in the highlights just a little bit for one particular photo to prevent them from washing out.

Despite the impressive power and ease at which you can convert your photos, I’ve had a few glitches that I have yet to explain while using Silver Efex Pro, namely a cryptic error message telling me that the product had failed. This would typically happen when the filter dialog was loading or when I was ready to apply the filter. There was also a time when the dialog wouldn’t open but it added the filter into the list of layers in CS5. I frankly don’t know what caused this but usually a restart of CS5 would suffice. I will be purchasing a copy of Silver Efex Pro (a new version is just about to ship) and I just hope that these little quirky issues don’t follow me with the full version.

Anyways, here are the photos I chose to convert to black & white:

Top Ten of 2010

Dec 12

My laptop is finally repaired so it’s time to look back at 2010 and pick out my ten favorite photos from the year. Ok, well, make that ten PLUS 2 because it’s always hard to limit it to just ten! I don’t know how many photos I’ve taken during the last 12 months but about 450 photos have found their way here onto my blog. From that, I chose about 100 photos to add to the galleries of my website. To me, that means it was a pretty good year!

Looking at the photos I’ve selected for this year in review, water seemed to be a popular subject of mine. The weather this summer wasn’t very good (as evidenced by the wildflower season at Mount Rainier National Park) so a number of my trips were confined to the streams and waterfalls in the forests. And so……the top ten in no particular order:

1.) “Nooksack Falls in Summer- North Fork Nooksack River Valley”

A definite favorite since I finally achieved a shot I had previously visualized. I had been looking for a different view of the falls and a higher, downward perspective seemed to fit the bill. The problem is that there isn’t a natural high viewpoint so I used a 6′ ladder to get this perspective.