The second “supermoon” of this year occurred August 10th and I fell prey to its allure. Instead of shooting the actual supermoon, I opted to photograph it the day before. Why? Well- the actual supermoon would rise just 18 minutes before sunset but moon rise the day before was almost a full hour before sunset. This mattered to me because that meant a better chance of a balanced exposure of the bright supermoon and any landscape elements it rose above. Having shot a full moon rising above ridges just after sunset, the photos are either going to be underexposed to account for the moon’s brightness or overexposed for the moon in order to properly exposure for the rest of the photograph.
Having decided the right day to head out, the next question was where to go. Using my standard photo planning tools (The Photographer’s Ephemeris and Google Earth), I evaluated several options located up & down the Mountain Loop Highway east of Granite Falls but nothing strong stood out. I don’t like to just keep going to the same spot over & over but this time it made sense. All the research pointed towards a return trip to Kulshan Ridge & Huntoon Point near Mount Shuksan. The research indicated that the moon would rise above Mount Shuksan just east of a feature called the Hourglass at Point 7848 (this ridge separates the Curtis Glacier from the Sulphide Glacier). Any longtime blog visitors will know that Huntoon Point is a regular destination for me during winter. In summer, it’s made even easier by the Mount Baker Highway which ends at Artist Point. All that’s left is a short hike of less than 0.5 miles to Huntoon Point.
My thoughts were to try and set up at one of the tarns located near Huntoon Point since it adds a nice foreground to the very obvious fabulous background. I came overprepared- I had my GoPro for a time lapse, my regular camera kit,my Sigma 50-500mm lens & gimbal for super telephotos and finally my Pentax Q camera and K-mount adapter for potentially super-duper telephotos of the moon. After surveying the scene below the Huntoon Point’s high point, I settled down in a small cliff with flowering heather on one side of a tarn. I set up & fired off the GoPro and then returned to my camera gear for some big camera photographs. Given the late hour, it was quiet and peaceful with only an occasional person passing through on their way back to the parking lot.
My friend headed off to find his own compositions and I tried to work my own. I wanted to work incorporate some of the heather in bloom around me but the depth of field coupled with the rocky cliffs made this a huge challenge. I actually couldn’t use a tripod so I tried to hand cradle the camera as firmly as possible. The skies were pretty much cloud free for sunset; in the minutes leading up to the appearance of the super moon, a family of 6 appeared out of nowhere and promptly decided to plop down in my foreground. groan. Exactly what I was hoping to avoid but- it happened anyway. I was angry but the fact is I don’t own the scene in front of me. Others are entitled to it just as much as I am.
As the moon began to appear over Mount Shuksan, I turned to my Sigma 50-500 lens for some telephoto shots. The sudden appearance of a crowd hamstrung my options and I could not take any sort of a wide angle shot of the moon & Mount Shuksan without including people in the frame. It was still early so I made the decision to gather my gear and quickly find another spot. The downside, of course, was that it did mean that I had to abruptly end my GoPro time lapse. I repositioned to a vantage point that I’ve also used in the winter that’s a bit further off the beaten path. I had a little bit more time until the difference in brightness between the landscape and the moon became too much to continue.
As my friend and I broke down our gear for the return trip to the truck, my friend suggested that we make a quick stop at Picture Lake to see if anything was happening. If you don’t know Picture Lake by name, you will know it by photo. It is considered one of those “icons” that photographers put on their bucket lists. Hundreds of thousands of photos have been taken of it and made into things such as jigsaw puzzles and who knows what else. By my own beliefs, it’s been overdone. It’s really hard to come up with anything that would be considered remotely original. This is why you haven’t seen a photograph of it by me. Until now.
We arrived at the boardwalk around the lake and were the only people there. Granted, it was now dark but having a place all to yourself is always special. Due to its popularity, Picture Lake is being loved to death. It is a sensitive area with a short growing season and it cannot compete with the constant beating that feet bring. People don’t always respect this and stay on the constructed boardwalk that lines the perimeter of the lake. Arriving at one of the boardwalk decks along the shore, we found a light mist / fog rising from the water’s surface and drifting across to the north. THIS was a fine example of the different type of Picture Lake composition that I wanted to photograph!
We spent the better part of the next hour taking photos. This was my maiden outing with the new Sigma 18-35 f1.8 lens and I wanted to take advantage of that. The Pentax mount version of this lens was announced over a year ago but only recently began shipping. It is something I’ve been eagerly waiting for. I’ve wanted a faster lens for taking night/star photography since my current Sigma 17-70mm F2.8-4 leaves a lot to be desired. At $800, it is pricy but I had trouble trying to decide on one of the various Samyang/Bower/Rokinon lens offerings that many night photographers have embraced. I kinda wished that it was a bit wider than 18mm but the constant 1.8 aperature across the 18-35 zoom lens seemed like a great solution for me.
Here are some quick observations about the lens so far- like many people have reported across the internet, I will confirm that it’s quite heavy but with a good build quality. Manual focusing with it is a step up from my older Sigma 17-70. The movement of the focus ring has just the right amount of resistance without being too loose and sloppy. Focusing at f1.8 has a narrow tolerance but I didn’t think that the focus ring made it MORE difficult. The constant f1.8 really brings in the light so the mere act of focusing using live view on my camera was vastly improved compared with my older lens.
It’s tough for a “consumer” lens to be perfect and I will admit that the 18-35 does suffer from lens flare in wide open conditions. This is something that others on the internet have experienced. I will say that I was surprised to experience it at the hands of the full moon. Initially, with the super moon still lower in the sky, I was making compositions where the actual moon and it’s reflection on the water’s surface were in the same frame. These shots would exhibit noticeable flare that would diminish if you stopped down. Eventually, I had to re-compose my photos to exclude the actual moon, and leaving the reflected moon in.
I wanted to also try some star photography but the super moon just isn’t the time for that. I am looking forward to experimenting more with this lens in the coming weeks. Here’s the abbreviated time lapse from that evening: